Institutions interested in anthropological topics may find this traveling exhibit a once in a lifetime opportunity! Contact Rachel Drochter at the Anthropology Museum at Northern Illinois University for more information- rdrochter@niu.edu
Organizer: The Anthropology Museum at Northern Illinois University
Exhibition Length: 3 months
Content: Multimedia video, text panels, and objects. A condensed version is available upon request
Security: Moderate
Space Requirement: 1,500 – 2,000 sq. ft.
Participation Fee: $5,000. 50% off to all members of the Small Museums Association
Shipping & Insurance: Exhibitor is responsible
FRAGMENTS EXHIBIT DESCRIPTION
Haiti’s earthquake was one of the top five deadliest disasters
in the contemporary world, claiming between 65,000 and 316,000 lives. Haiti’s
disaster was also arguably the most mediatized in modern history. Media images highlighted
the exceptional, macabre, and gruesome. These accounts dehumanized Haiti and
Haitian people, while focusing disproportionate attention on the good intention
and generosity of humanitarian actors. International media attention helped
raise $5.6 billion in official funds for the first two years following the
earthquake.
What happened? Where did the money go? Three years following
the earthquake, international media attention on Haiti has diminished quite
significantly. Living conditions have only improved slightly and are still
among the worst in the world. One index of the collective failures includes the
existence of almost 350,000 people still living under tents in scores of camps.
Installation
components include a wind-and-sun battered tent and tarp and artifacts of
household/tent life. To demonstrate the increasing risks of forced eviction, the
exhibit also includes the charred remains of a tent from an act of arson by
armed paramilitaries in a recent case of forced evictions. Finally, exhibit
panels explore the life histories and living conditions of several Haitian
women living “under the tents.” The installation is called Fragments to
acknowledge the often disparate lived realities now in relative shadows. It
aims to move visitors to reflect on the people surviving, building community,
making art, raising families, and challenging their situation as activists, and
to recall the bonds that already exist between us.
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